Volume > Issue > Note List > An Inexplicable Apology

An Inexplicable Apology

Good writers are like painters. They paint captivating pictures with mere words — colorful pictures with only black ink. Case in point: In his column in Our Sunday Visitor (Nov. 11, 2001), J.F. Pisani tells us about a 50th wedding anniversary party he and his wife attended at a restaurant: “I sat at a table with two older couples and several elderly women, whom I assumed were aunts of the family. It seems that unmarried or widowed aunts populate these family events, like matriarchs in search of a royal court. They’re always offering advice and telling their nieces and nephews how to live….” In your mind’s eye, you see the picture — especially if you’ve been there, done that. That phrase, “like matriarchs in search of a royal court,” is masterful; it speaks a thousand snapshots, and more (and excuses his use of “whom” when it should be “who”).

Pisani continues: “I was reasonably sure that, before the night was over, I would have to ask an aunt or two to dance as part of my social responsibility — or as a corporal work of mercy.” Ah, just so.

Now, that’s good writing — evocative and delightfully amusing. And honest.

But then comes the December 9 Our Sunday Visitor with a scolding letter from Jacqueline Osowski: “Shame on you, J.F. Pisani, for the chauvinistic and uncharitable remarks you wrote….” Osowski is leveling an ad hominem attack here, for she doesn’t bother to attempt refuting anything Pisani said, but is only maligning his character.

Enjoyed reading this?

READ MORE! REGISTER TODAY

SUBSCRIBE

You May Also Enjoy

The "Super Catholic" Syndrome

Catholic apostolates and institutions must practice transparency and overcome the pitfalls of secrecy and elitism in order to avoid cultishness or a polarized, us-vs.-them mentality.

On the Road to Oblivion.

When fewer and fewer men enter a profession, does it become marginalized?

Bringing the Gospels Back to the Big Screen

Hollywood knows there's a lucrative market for Christian movies -- as demonstrated by The Passion of the Christ, the modern-day gold standard for biblical screen portrayals -- and studios have big plans to cash in.