Volume > Issue > Note List > A Question of Conviction

A Question of Conviction

The Catholic Church was once the great patroness of the arts. She commissioned artists who produced what have come to be regarded as some of the history’s greatest works of art. The great artists created works of timeless value for the human family and the glory of God.

Now, it seems, to be an artist one must be a rebel after a fashion. Art must be “challenging” to have “social value.” The sacred must be profaned — the crucifix dumped in a bottle of urine and the Virgin Mary covered in dung, for example. Controversy and irreverence rule in the milieu of modern art.

But when profane art appears on a Catholic campus, what is one to do?

When a black-and-white woodcut relief depicting the Virgin of Guadalupe as a stripper was included in an art display at the University of Dallas (UD), a Catholic institution, university president Francis Lazarus did nothing.

Enjoyed reading this?

READ MORE! REGISTER TODAY

SUBSCRIBE

You May Also Enjoy

The Last Secret of Fatima

For anyone who still harbors doubts about the authenticity of the third Fatima secret as revealed by the Vatican, Tarcisio Cardinal Bertone's book is a must read.

Dad, How Do You Say 'Video' in Latin?

Method more than content was the real drawback in the teaching of Latin and Greek before they were "squeezed out of the curriculum."

An Epic in Search of an Ending

If the Fatima story had occurred in the days of the Old Testament, it would have been made into a book of the Bible — prophecy-filled, drama-packed, and miracle-rich.