Blueprint for a Catholic Future?
September 2014By Charles A. Coulombe
Charles A. Coulombe, who writes from Los Angeles, is the author, most recently, of The Popes Legion: The Multinational Fighting Force that Defended the Vatican, the newly released e-book, The Legacy of Pope Benedict XVI (Diversion Books), and the just-released updated edition of Vicars of Christ: A History of the Popes (Tumblar House).
Last December I found myself in Massachusetts attending a few of the celebrations centering around the 150th anniversary of the birth of Ralph Adams Cram (1863-1942), arguably Americas greatest architect of the first half of the twentieth century and without doubt her finest practitioner of church, library, and collegiate work in his day. He was certainly the master of the Gothic revival, though he worked successfully in other styles as well. He was the campus architect at MIT, Princeton, and Boston University, the University of Richmond, and Wheaton, Sweet Briar, and Wellesley Colleges. His work is everywhere, from the Doheny Library at the University of Southern California to the Japanese Garden at the Boston Museum of Fine Arts, from the stunning interior of St. Vincents Catholic Church in Los Angeles to All Saints Episcopal Church in Ashmont, Massachusetts.
The events I attended included guided tours of Crams estate, Whitehall, in Sudbury, Massachusetts, and its attached private chapel of St. Elizabeths. We also saw the graves of Cram and his family. In the evening was a 1920s-style banquet, complete with a band playing period music and guests in dinner jackets and fringe dresses. All of this was presided over by Ethan Anthony, current head of Cram & Ferguson, the masters still-surviving architecture firm.
Not surprisingly, the 1960s through the 1990s were lean years for the company in terms of church architecture they survived through private and corporate work. But the dawn of the twenty-first century signaled a return to the firms favored milieu. It began with a request in 2000 to restore Crams 1910 First Presbyterian Church in Far Rockaway, New York. More requests for help in refurbishing such legacy structures began to come in and then entirely new commissions. Tellingly, a number of these were for Catholic parishes a signal, perhaps, that the appetite for ugly churches has waned among us. Certainly Anthony, a Catholic himself, is overjoyed by this development.
Were his architectural legacy all there was to Ralph Adams Cram, it would be enough to ensure him a chapter however small in our history books. But there was much more than that. He wrote plays, a novel, and some truly horrific supernatural short stories, one of which, The Dead Valley, received high praise from the usually reserved H.P. Lovecraft. But it is Crams religious and political thought that should really command our attention.
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